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Kingston Gig Life 2025 – part 2

Now it’s time for a trip back in time, not to the 90s straight away, but the heady days of 2005…

Kingston Gig Life 2025 – part 2

Hard-Fi, 3rd July @ Pryzm, Kingston

Hard-Fi

Celebrating the 20th anniversary of the release of debut album Stars of CCTV, Hard Fi played the album in full. 

The band played hit after hit after fantastic album track. There were five singles released from this album of 11 tracks and many of the tracks in between sound like they could have been, like Unnecessary Trouble sandwiched between Tied Up Too Tight and Better Do Better. 

Sharing fond memories of Kingston, singer Richard Archer regaled us with stories of his time here while at Kingston University. 

Hard To Beat is one of my favourite songs from the 2000s and sounded fantastic in the middle of the set. 

Overall, Hard Fi sounded fresh and exciting and I forgot for a while which decade we are in!

Hard-Fi

From Pryzm to Circuit

That was my last ever gig at Pryzm. After closing for the summer, rising from the ashes like a phoenix was a refurbished and renamed venue – Circuit. 

On my first visit to Circuit, it didn’t seem all that different. But looking around, I started to notice the subtle changes. The speakers on each side of the stage that had often blocked my view were raised and hanging from the ceiling. The shards that hung from the ceiling rose creating a ‘pryzm’ had been removed. The seating areas appeared to be raised and better arranged though I didn’t really explore these. The sound is great though, and that’s probably the most important thing.


Bryan Adams, 3rd September (late show) @ Circuit, Kingston

Along with the tickets there were instructions that phones would have to be locked up in Yondr pouches on arrival and released at the end of the show. So a phone-free show. This would be interesting. I’m not sure whether the intention was to stop people watching through their phone screens or to stop snippets of the new album leaking out, but I found it strangely disorientating. I had no way of telling the time but saw someone with an analogue watch that I could read from afar. I’d been warned not to rely on my phone for any payments so I’d taken my credit card (which lives in my phone case) out and tucked it in my pocket. No checking messages or doom scrolling while waiting for the show to start. Old school.

I’d last seen Bryan Adams here at Pryzm in 2019 doing a short best of set while he was in the middle of an arena tour. This time, he played his new album Roll With The Punches in full while doing a Q&A with the audience. It emerged that this album was on Bryan’s brand new and independent record label, Bad Records, which gave him more creative control. Fans clearly travelled for the show, and they asked when he was planning to return to play in Lebanon and Portugal and various other locations. 

Generally though, without a curator gathering questions in advance, the audience ask stupid questions. Bryan Adams was a great compère, answering sensible questions and shutting down anything that had already been asked or didn’t warrant an answer. 

With the album being released just days before, I figured the audience were hearing most of the songs for the first time and it was interesting hearing some of the origin stories or inspiration. Felt like a different vibe to the greatest hits and it would need a few listens to really grow on us. 

Unusually for me, I left during the last song. I wasn’t sure what the queues would be like having 1000 people waiting to have their phones unlocked all at once, but I didn’t want to wait to find out!


Lola Young, 17th September @ Circuit, Kingston

From a best-selling artist to a younger, up n coming one. 

Lola Young

Lola Young’s single Messy has been a radio favourite this year. I think it’s a great song, so I wanted to see what she was about. Last year I saw Anne-Marie at the same venue, and found myself as one of the only adults in the room not accompanying one or more teenagers. This time I did come along with a teenager, which definitely helped blend in amongst all the other youngsters. Lola Young is 24 and fairly local as she is from Croydon and studied at the BRIT school, reflected in her fan base her tonight.

On the eve of the release of her third album, I’m Only F**king Myself, Lola Young played a bunch of new songs with lots of energy and a powerful voice. The finale was a rousing rendition of Messy, the only song from the previous album, with boisterous audience participation. Lola introduced her bad and seemed overcome with emotion at times. 

Lola Young – Messy [🤬]

A few days later, Lola Young was reported to have collapsed on stage and cancelled the rest of her tour. She is immensely talented but has been open about her struggles with mental health so I hope she gets the help she needs and comes back stronger. 


Read: Kingston Gig Life 2025 – part 1

Read: Kingston Gig Life – part 3

Kingston Gig Life 2025 – part 1

Kingston Gig Life 2025

My resolution for 2026 is to see more live music. Plenty of my favourite bands from the 90s are touring and I also hope to discover some new and exciting artists. But first, a reflection on 2025.


Shed Seven, 24th January 2025 @ Pryzm, Kingston

Shed Seven

First up, Shed Seven in January at Pryzm in Kingston. Celebrating the 30 year anniversary of their debut album Change Giver, released in 1994, these shows were postponed from October last year.

Listening to the album before the show, it turns out that I’d probably not heard Change Giver in full back in the day. It was released just a bit before I discovered indie music and was quickly followed by A Maximum High in 1996, which contains the early hits that I remember, Getting Better, Going for Gold and On Standby. 

The band played Change Giver in full, with Speakeasy and Dolphin as particular highlights. Great energy in the room. 

The second part of the show was billed as a ‘greatest hits’. These included the aforementioned songs from A Maximum High, plus hits from later in the 90s, Disco Down and Chasing Rainbows. There was a couple that I didn’t recognise and it seems that these were more recent songs from 2024, Talk of the Town and Let’s Go Dancing.

I spoke to a group of fans for whom Change Giver was the soundtrack to their university years and they had even been to the show at the same venue the night before. Great to see Shed Seven inspire such passion. I enjoyed the trip back to the 90s sound and hearing Change Giver in full. If there’s an anniversary tour of A Maximum High in 2026, I might just have to check them out again.


Jeff Goldblum & the Mildred Snitzer Orchestra, 23rd April @ Pryzm, Kingston

Jeff Goldblum

I rarely turn down an opportunity to see live music so when I was offered a ticket to this, I barely paid attention to what I had agreed to. I did not realise that Jeff Goldblum, the actor, makes music. In fact, he was promoting his third jazz album, Still Blooming, with the Jeff Goldblum & the Mildred Snitzer Orchestra. Jeff talked about his recent role in Wicked. His co-stars Ariana Grande and Cynthia Erivo featured on the album, though sadly they didn’t make an appearance on this night in Kingston.

Jeff Goldblum & the Mildred Snitzer Orchestra

Counting Crows, 14th May @ Pryzm, Kingston

Counting Crows

Next up Counting Crows. To celebrate the release of their new album Butter Miracle The Complete Sweets!, vocalist Adam Duritz and guitarist David Immerglück (Immy) visited Kingston to play a short acoustic set at Pryzm.


Skunk Anansie, 29th May @ Pryzm, Kingston

Skunk Anansie

An altogether different vibe for Skunk Anansie in the same venue just a couple of weeks later. The last time I saw Skunk Anansie was when they headlined the Pyramid stage at Glastonbury festival 1999, the last headliners of the 20th century. And it was a nice surprise to run into my 1999 festival friend  at this show!

The band had just released their seventh studio album The Painful Truth, though I must confess that I wasn’t familiar with any of their material since the 90s. Despite this, the energy, the sound, the songs were recognisable as  typical Skunk Anansie. Playing a handful of new songs, Skin sounded powerful and fierce.

The set ended with a couple of much welcomed oldies. Skin related the origin story of Hedonism, about how it was about raw feelings for an ex but how the passage of time has given her strength. “I hope you’re feeling happy now,” she said, shaking her head and mouthing words to the contrary. Go grrrl!

The set ended with Weak, from their very first album Paranoid and Sunburnt from 1995. Amazing hearing them playing it live again. 

The majestic Skin from Skunk Anansie

Read: Kingston Gig Life 2025 – part 2

Read: Kingston Gig Life 2025 – part 3

Making Fanzines in the Pre-Digital Age

Blue Roses was created mid-1997, when I started Sixth Form and decided that starting a fanzine would be a more enjoyable endeavour than studying A levels (not a spoiler – it was!). A fan of indie bands including The Charlatans, Ash, Suede, Stereophonics, Pulp and many more, I was an avid reader of fanzines and wrote letters asking the editors on how to get started. The replies included a long list of contacts, that I then in turn wrote to, introducing myself and Blue Roses fanzine to music PR agencies and record companies. Soon I would start to receive promo CDs in the post to review. This was a time before email, mobile phones or digital downloads.

For interviews, I bought a dictaphone which took regular cassette tapes. It was bulkier than using expensive mini tapes, but it meant I could keep all recordings, rather than having to reuse the tapes. There was the legendary story of the writer who’d recorded over an interview with Kurt Cobain and regretted it ever since.

I had a 35mm film camera but I would worry about it getting crushed at gigs so usually had a Kodak disposable camera with me. I was given a photo pass at one memorable Feeder gig where I was jostling in front of the stage amongst professionals with SLRs.

Blue Roses was a cut n paste effort. I typed everything up on my Mac but then printed it all out, along with any images and photos, then stuck it all together, making sure that the page numbers lined up. 

I would then spend hours at the photocopier, printing hundreds of copies of each double sided page. I’d switch to a different shop if I heard that there was a cheaper one. I think the cheapest I found was 3p a copy. These were newsagents with copier machines, not proper print shops. 

Then I’d staple them together, and add personal finishing touches such as signing them with lip liner (can’t quite remember why I thought this would be a good idea) or adding glitter to the oranges on the cover which had The Bluetones juggling oranges.

And then there was selling. Mail order was a big thing. Blue Roses cost £1 and an A5 SAE (stamped addressed envelope). It seems quaint sending £1 coins stuck to cardboard through the mail, but that’s what we used to do. I’d make flyers that used to be sent out with other fanzines. Otherwise I’d sell them at gigs or at the local independent record store.

Blue Roses never set the world alight but it changed my life. It was driven by passion and youthful energy. That passion has been reignited and so, Blue Roses is back. This is very much Blue Roses 2.0, online and blending nostalgia and new perspectives. 

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